I don't believe there was even a character sketch done for him at that point-I planned on making sense of it all later on, but by then I was gone and others had that concern." Apocalypse's silhouette in issue #5 does not match up with his full appearance in issue #6, suggesting the possibility that Guice was using Simonson's sketch as a reference for issue #6 but did not have access to it earlier, necessitating that he come up with his own design for issue #5. But the genesis was clearly Walt and Weezie's." Guice admitted to difficulty recalling the details behind redrawing the last page of issue #5: "The best I can remember now is putting his look together pretty much right on the pencil page-just adding bits of costuming business which hinted toward his true appearance when we'd eventually see him in full reveal. Jackson redrew the page, patching in the shadowy Apocalypse where the Owl had been. Harras also commented, "As soon as I saw the sketch by Walter and heard Louise's take on him, I knew we had the character I wanted. ![]() well, in Apocalypse's world he would say, 'Bye, bye, comrade.' Where Magneto sees mutants as the next step of evolution and strives to protect all mutants, Apocalypse believes in absolute survival of the fittest – so if the Hulk, for example, is stronger than Colossus. ![]() He considers himself the Apocalypse of modern man and the father of what humanity will come next – Mutantkind. Consequently, he's been using Darwinian principles – survival of the fittest – to kill off the weak and force the survivors to grow stronger, to push humanity to get better and more powerful. Apocalypse encountered the Celestials and realized there was a time when humanity might be judged unworthy and destroyed. In his early years, which I covered in the X-Factor Forever miniseries. Apocalypse is the first mutant – a brilliant shape-shifter who is virtually immortal – and sees himself as the father of mutantkind. When X-Factor was created, it caused a split in the "Mutant World" several seminal characters were pulled out of Chris Claremont's X-Men. However, Simonson felt that the series needed an archenemy, or what Simonson called "a big, bad villain", and conceived of Apocalypse. In a 2011 interview with The Philadelphia Inquirer, Simonson explained that when the X-Factor series was created, the original five X-Men were pulled out of the purview of Chris Claremont, who was writing The Uncanny X-Men. I wanted a Magneto-level villain who would up the stakes and give the X-Factor team reason to exist." Editor Bob Harras said that the character arose because of storytelling needs: "All I had communicated to Louise was my desire that an A-level, first class character be introduced. However, Layton left the book after writing this issue and was replaced by writer Louise Simonson. Layton intended to reveal this character to be the Daredevil villain the Owl on the final page of X-Factor #5. While writing the first five issues of X-Factor, Bob Layton dropped hints of a villain operating behind the scenes and leading the Alliance of Evil (mentioned in X-Factor #4, May 1986). Oscar Isaac portrayed the character in X-Men: Apocalypse. Apocalypse has also been featured in various forms of media. Since his introduction, the character has appeared in a number of X-Men titles, including spin-offs and several limited series. Apocalypse is one of the most powerful beings in the Marvel Universe. ![]() Created by writer Louise Simonson and artist Jackson Guice, Apocalypse first appeared in X-Factor #5 (June 1986). He is one of the world's first mutants, and was a principal villain for the original X-Factor team and later the X-Men and related spin-off teams.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |