The Canon EF 17-40mm f/4.0L USM Lens shows some flare at f/4, but performs especially well in this comparison. While I can see a little flare in the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens f/8 and f/11 samples, there is nothing to complain about.Īgain, The TS-E 24 L II bests the original TS-E 24 L (except at f/11 where they are about equal). The sky is clear and the sun is in the frame.Īgain, click on the image to open the comparison. The comparison images were shot from a fixed camera position using center-weighted averaging Av (aperture priority) mode and the standard picture style. This focal length and point in the frame is especially a weakness for my 17-40 L.Īs I've already said, the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens is optically the highest quality 24mm Canon-mount lens I've reviewed to date.Ĭompare the flare. The TS-E 24mm L II (second lens in the list) simply leaves its predecessor in the dust.įull frame border image quality is where most lenses are at their weakest - and even good lenses can be made to look only mediocre at this location in the frame. Use Alt-Tab/Ctrl-Tab to toggle back and forth. ![]() These shots were captured in RAW format by a Canon EOS 5D Mark II DSLR using ideal tripod-mounted technique under a clear sky.Ĭanon DPP's "Standard" Picture Style with sharpness set to "1" (very low).Īll images are accurately focused in the center of the frame - a flat plane of sharp focus would run through the image at the front of the column.Ĭlick on the image below to open this comparison in a new window/tab. The border image quality is the differentiator. ![]() Remember - I'm not showing center-of-the-frame image quality here - all of these lenses perform excellently in the center. I was never impressed by the original TS-E 24mm L Lens (first lens results below), but the other three compared-to L lenses are very good. Let's review a comparison between five Canon L Series Lenses.Ĭlick on the image below to compare the full frame, right side border of the images from the compared lenses (loads in a new window). Performing much better than the EF 24 L II and better than the original TS-E 24mm L (review the comparison samples below).ĭistortion is negligible - slightly less than even the EF 24 L II and noticeably less than the original TS-E 24mm L.īokeh (foreground and background blur quality) is good. Utilizing SWC (Subwavelength Structure Coating), the TS-E 24 L II controls flare very well. Performance is very similar to the EF 24 L II in this regard (at the same apertures).ĬA (Chromatic Aberration) is extremely well controlled - less CA than the EF 24 L II and much less than the original TS-E 24mm L. Vignetting is very well controlled - You might notice a little vignetting in full frame corners at f/3.5, but overall, nothing to worry about. The TS-E 24 II is clearly sharper than the original TS-E 24mm L. Stopping down does not make a significant difference in sharpness - and it doesn't need to. The Canon TS-E 24mm f/3.5L II Tilt-Shift Lens is impressively sharp wide open and is very sharp right into the full frame corners. I already mentioned the high optical quality of this lens. The Kure Beach Fishing Pier (Kure Beach, NC, USA) image above was captured with the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens and aĬanon EOS 5D Mark II (5:53 AM, f/11, 25 sec, no tilt, no shift). Please be patient for them all to load.Īs exampled in the image below, the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens' movements can be locked at "0" and can be used like any other 24mm lens without the additional movements. Please note: There are over 10 MB of images included in this review. While these are extremely useful features, it is not a requirement that they be used.Īnd since these features require more in-depth explanation, let's review the non-tilt-shift aspects of this lens first. With that fact in mind, I'll next point out the "TS-E / Tilt-Shift" features of this lens indicated by the title. If you need AF, this lens is not for you (though you might find a good excuse to get it along with your AF lens). ![]() One of the first things you need to know about the Canon TS-E 24mm f/3.5L II Tilt-Shift Lens is that it is a MF (Manual Focus)-only lens. That's right - and this is not a surprise to those with TS-E lens knowledge. The EF 24 L II has a much wider aperture available - and it has AF (autofocus). Is a match physically and comes very close optically at equal apertures. Owners of the not-much-older Canon EF 24mm f/1.4L II USM Lens can rest assured that their 24mm lens The Canon TS-E 24mm f/3.5L II Tilt-Shift Lens is, optically and physically, the highest quality 24mm Canon-mount lens I've reviewed to date.
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